The 2018 Calvinball season is now at an end. I am finishing with 361.5 points, more than I have ever earned in any round of Calvinball I've ever played, and the most refreshing aspect of that is that the points really don't mean anything -- this past month has really just been all about the thrill of it all.
Here is one of the last layouts that I made, pulling together older supplies and newer ones.
I'm not just going to miss the crafty marathons -- I'm also really going to miss the camaraderie and community. I'm already looking forward to next year.
...watching Netflix's Queer Eye reboot and alternately laughing and crying through practically every episode. I love every member of the Fab Five and am endlessly inspired by them. I don't necessarily have a favorite, but...if Matt Bomer and John Mayer had a love child who could cook and loved reading and had amazing taste in t-shirts...umm.
...loving the March Hip Kit Club kits! They have such range, as evidenced by this page about my grandmother (pic circa 1940) with a vintage, homespun feel...
and this colorful and funky month-in-review page. Both incorporate elements from the March kits, with different results.
...making the most of the last days of Calvinball. It was supposed to end today, but it's been extended until April 4. Yay! I have a new layout in the making, plus I added a new challenge to the forum, based on an idea my husband came up with last night: have someone else choose the supplies for your next layout. This "someone" cannot be well-versed in how to select scrappy supplies, and must choose FIVE items for you to use. You can work in other items, but those five must be included visibly somehow. I'm still awaiting my final five, and I'm both excited and terrified to see what they'll be.
...reading Neil Shusterman's Scythe.
Wow! What a book! I am almost done with it, and I can't wait to pick up the next one. While it may fit into the category of dystopian (utopian?) fiction pretty easily, it is a story that feels fresh and compelling to me, prompting deep thought and edge-of-my-seat engagement at the same time. It kind of reminds me of Shirley Jackson's "The Lottery," with elements of Aldous Huxley's Brave New World thrown in.
...telling everyone I know to go to the movies to see Ready Player One. This, too, fits easily into the category of dystopian lit. It isn't a perfect film -- for instance, it does not probe real-world aspects and consequences enough for me, and by all accounts, the female lead is far more "worthy" than the male lead and should be the designated hero (maybe it just goes to show that sexism within gamer culture is forecast to continue in the future). Nevertheless, the film is pretty spectacular, and likely won't translate to the small screen as effectively. It is absorbing and entertaining (sometimes jaw-droppingly so), with tons of 80's references to boot, and for that, I say, go see it before it leaves theaters.
...realizing that Easter is just a few hours away, and I have two cartons of eggs to dye and zero chocolate in the house to see me through that process! If you celebrate Easter, have a great one!
Calvinball ends on March 31, and while it is a scrappy marathon of sorts, I'm not tired in the least! Yesterday, I attempted the 30-Minute Challenge again, and racked up more points (though not nearly enough to make it to the leaderboard). Here's the result:
I started by reaching for a sheet of patterned paper from the new Crate Paper Flourish line and some scraps (including the last of this colorful circle pattern from KI Memories -- more, please!), and then grabbed a tray that contained some new embellishments from Crate Paper (I looooove the Here + There collection!), Pinkfresh Studio, Studio Calico, and Pretty Little Studio. On my desk, I had a cluster of floral die-cuts (from a Hip Kit Club cut file), and I pulled them together and just started layering away and building the layout around the "core" flower layers. The journaling is tucked into the yellow CP envelope.
March has been a high-productivity, high-creativity month, and as it comes to an end, I know I won't be able to maintain that energy (not without another spring break and two three-day weekends, but I had so much fun while it lasted.
Maybe I'll bring back the Stash-Busting Challenge soon just to keep the adrenaline rush going! If you played along last time (or wanted to), which month would work best for you? I usually wait until the summer to start -- maybe June? We can always do kit assembly in May and then make the deadline for the projects in June. Hmm...I'd be curious to hear your thoughts, if you're interested in playing along this time around. Let me know what you think! SaveSave
There's one more day to be entered to win the Pretty Little Studio giveaway (see previous post). You can enter by leaving a comment below and/or through Instagram.
I have a few more layouts to share that I created for PLS. The first documents a recent business trip my husband took to Portland that culminated in a sweet surprise.
The second is of my first 2018 month-in-review layout. I decided to continue the practice after trying it for a year in 2017. It's a manageable way of documenting the highlights of each month that may not always make it into individual layouts.
Don't forget to enter the giveaway if you haven't yet done so. Good luck!
It's mid-March, and we are two weeks into Calvinball. So far, we are up to 50 "rules," with point perks for each one, and some leeway for those who like to bend the rules, since the basic rule for Calvinball is that there really aren't rules. The rules aren't the point anyway -- Calvinball is really just a fun way to expend creative energies and to rack up the projects by March's end. It's messy and all over the place and kind of brilliant, really.
You don't even have to understand it to jump in the game. It's not too late to join in, as the festivities continue all month long -- as a perk, anyone who starts after March 15th earns a "late bird" point.
It's week two, and I'm up to 124 points, which is far more than I imagined I would have. Luckily, this week coincided with my spring break, which gave me free time, and my guest designer spot at Pretty Little Studio, which gave me the opportunity to create four projects. Here's the first of the lot, which was featured on the PLS blog yesterday:
I'm pretty sure that this was my first time using Pretty Little Studio's papers. Why did it take me so long? It's possibly because I am heavily kit-dependent, and the papers are 8x8, which may have been why I never encountered them in a kit before. The size wasn't an obstacle for me, though, as I always end up cutting up larger papers into smaller pieces anyway. The papers have an amazing, nearly-glossy-smooth texture and they are color-rich, and the designs come with options: paper, vellum, or clear. Even though my guest stint will come to end in a couple of days, this won't be the last time that I include PLS on my projects (I wasn't asked to plug the products, by the way -- I genuinely do like them!).
I've also been spending lots of quality time with the Hip Kit Club March kits. I combined the main kit and the color kit (which features watercolors!) to create this layout:
We've had a profusion of caterpillars, chrysalises, and butterflies in our yard over the past few weeks, and I love it. It makes me feel like a grade-school kid again, studying the life cycle of butterflies or reading Eric Carle's The Very Hungry Caterpillar. It feels magical -- hence the title.
More details about this page can be found on the Hip Kit Club blog.
I also created a layout with the Hip Kit Club kits for the March 9 sketch feature, using the HKC February kit (and earning some major Calvinball points in the process). It's one of many projects that I've been working on to help my daughter document her travels abroad last semester.
Now it's back to Calvinball for me. I'm hoping to finish a couple more projects before my break ends. Wish me luck!
Should the page fit the story, or should the story fit the page?
Maybe it's both -- page and story converge gradually, with a greater sense of intention and clarity, as the creative process goes along. I usually start a page not with a sense of what supplies or design I want to use, but rather, with a feeling or theme in mind, and both story and page begin to take shape from there.
Sometimes, however, trusting that the idea that I want to convey will materialize eventually can be a challenge, especially when I am working on a project that asks me to venture into new territory.
The "funeral page" is an example of that territory. It isn't exactly a common page topic. The tribute page is generally as close as most scrapbookers get when it comes to documenting loss. I've seen threads on forums asking whether it was "weird" to take photos at a funeral, or about whether it was "okay" to scrapbook a funeral. The few funeral layouts that I have seen -- and I've only seen two or three -- included dark and somber colors, as well as understated patterns and fonts. They definitely did not look like this:
This is the only layout that I have ever made about a funeral, although I suppose "funeral" is a misnomer, as my Uncle Joe specifically requested NOT to have a somber and serious funeral, but a lively party instead. There are no funerary blacks and navys here -- just elements that remind me of my uncle and his Hawai'i roots, his love of the ocean, and his vibrant personality.
I will admit that I had reservations about creating this page -- not just because of the topic, but because of the approach I wanted to take. I mean, I used the word "fun" pretty boldly here -- was that okay?
My uncle would definitely say yes, so I'm cool with it.
I choose to think of this page not just as a reminder of a colorful life well-lived, but of the importance of giving ourselves permission to tell stories in ways that feel real and vivid and true to us.